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:: ProjeKction - King Crimson NET :: • View topic - R.I.P.


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Postby RYG on Sun Aug 13, 2006 12:00 pm

On August 3 Arthur Lee of "Love" passed away. He was the leader/guitarist of the very much under-rated (to me) band "Love". Anyone who knows the album Forever Changes will know what I'm talking about. His songs were somewhat quirky but all very good and usually required several listenings before they sunk in. Anyway, just thought I'd pass along the news since I don't see it mentioned here anywhere.
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Postby The Crimson Avenger on Sun Aug 13, 2006 12:34 pm

I don't know about 'under-rated', but certainly under-recognized. Forever Changes is every bit the psychedelic pop masterpiece as Pet Sounds or Sgt. Peppers but the mass audience never caught on.
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Postby Mark on Sun Aug 13, 2006 5:02 pm

That's too bad.

Does anyone know what he did since Forever Changes? Seems like he tried doing more Love albums with different people, and then just disappeared. Didn't he end up in jail somehow?
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Postby Hans on Sun Jan 14, 2007 11:31 am


Postby Fred on Sun Jan 14, 2007 4:53 pm

Just read it one a Myspace blog from Pat Metheny :cry:

Michael Brecker Dies at 57; Prolific Jazz Saxophonist
By BEN RATLIFF, New York Times

Michael Brecker, a saxophonist who won 11 Grammy Awards and was among the most influential musicians in jazz since the 1960s, died yesterday at a hospital in New York City. He was 57 and lived in Hastings-on-Hudson, N.Y.

The cause of death was leukemia, said Darryl Pitt, his manager.

Having taken a deep understanding of John Coltrane's saxophone vocabulary and applied it to music that merged with mainstream culture — particularly jazz fusion and singer-songwriter pop of the 1970s and 80s — Mr. Brecker spread his sound all over the world.

For a time, Mr. Brecker seemed nearly ubiquitous. His discography — it contains more than 900 albums — started in 1969, playing on the record "Score," with a band led by his brother, the trumpeter Randy Brecker. It continued in 1970 with an album by Dreams, the jazz-rock band he led with his brother and the drummer Billy Cobham.

His long list of sideman work from then on wended through hundreds more records, including those by Frank Zappa, Aerosmith, James Brown, Paul Simon, Joni Mitchell, Lou Reed, Funkadelic, Steely Dan, John Lennon, Elton John, and James Taylor, as well as (on the jazz side) Chick Corea, Pat Metheny, Gonzalo Rubalcaba, and Papo Vasquez. His 11 Grammys included two for "Wide Angles," his ambitious last album, released in 2003 with a fifteen-piece band he called the Quindectet.

His highest achievements were his own albums, both under his own name (starting in 1986) and with the Brecker Brothers band, as well as his early 80s work with the group Steps Ahead. Mr. Brecker was scheduled to tour with a reunited version of Steps Ahead in the summer of 2005 when his condition was publicly announced — initially as myelodysplastic syndrome, a bone-marrow disorder, which finally progressed to leukemia — and much of his work had to stop.

Mr. Brecker grew up in a musical family in Philadelphia; his father was a lawyer who played jazz piano. He started playing the clarinet at the age 6, switched to alto saxophone in the eighth grade, and finally settled on tenor saxophone in the tenth. He started to attend Indiana University — as did his brother Randy. After initially pursuing a music degree and then briefly switching to pre-med, he quickly discovered he preferred to be playing music. He left for New York at 19.

For most of the 1970s and through the mid-80s he worked hard in studio sessions, becoming a fixture on albums by the Southern California pop singer-songwriter movement, including those by Jackson Browne and Joni Mitchell. But for hard-core jazz enthusiasts, it was his work of the early 80s — on Steps Ahead's first two albums, when the band was simply called Steps — as well as Chick Corea's "Three Quartets," from 1981, and Pat Metheny's "80/81," from 1980, that cemented his reputation as a great player.

His tone was strong and focused, and some of his recognizable language echoed Coltrane's sound. But having worked in pop, where a solo must be strong and to the point, Mr. Brecker was above all a condenser of exciting devices into short spaces. He could fold the full pitch range of the horn into a short solo, from altissimo to the lowest notes, and connect rarefied ideas to the rich, soulful phrasing of saxophonists like Junior Walker.

In the 1980s and 1990s he experimented with the electronic wind instrument called the EWI, which allowed him to blow through an electronic hornlike device, play a range of sampled sounds, and multitrack them in real time. He began experimenting with the instrument again in the last few years.

With the onset of his illness, he and his family called for bone-marrow donors at international jazz festivals, synagogues, and Jewish community centers around America; tens of thousands responded. Working sporadically over the last year, he managed to complete his final album two weeks ago, Mr. Pitt said.

He is survived by his wife, Susan, of Hastings-on-Hudson; his children, Jessica and Sam, of Hastings-on-Hudson; his brother, Randy, of Manhattan; and his sister, Emily Brecker Greenberg, of Philadelphia.

Also Alice Coltrane dies

Alice Coltrane, 69; performer, composer of jazz and New Age music; spiritual leader
By Jon Thurber, Times Staff Writer
January 14, 2007

Alice Coltrane, the jazz performer and composer who was inextricably linked with the adventurous musical improvisations of her late husband, legendary saxophonist John Coltrane, has died. She was 69.

Coltrane died Friday at West Hills Hospital and Medical Center in West Hills, according to an announcement from the family's publicist. She had been in frail health for some time and died of respiratory failure.

Though known to many for her contributions to jazz and early New Age music, Coltrane, a convert to Hinduism, was also a significant spiritual leader and founded the Vedantic Center, a spiritual commune now located in Agoura Hills. A guru of growing repute, she also served as the swami of the San Fernando Valley's first Hindu temple, in Chatsworth.

For much of the last nearly 40 years, she was also the keeper of her husband's musical legacy, managing his archive and estate. Her husband, one of the pivotal figures in the history of jazz, died of liver disease July 17, 1967, at the age of 40.

A pianist and organist, Alice Coltrane was noted for her astral compositions and for bringing the harp onto the jazz bandstand. Her last performances came in the fall, when she participated in an abbreviated tour that included stops in New York and San Francisco, playing with her saxophonist son, Ravi.

She was born Alice McLeod in Detroit on Aug. 27, 1937, into a family with deep musical roots. Anna, her mother, sang and played piano in the Baptist church choir. Alice's half brother Ernie Farrow was a bassist who played professionally with groups led by saxophonist Yusef Lateef and vibes player Terry Gibbs.

Alice began her musical education at age 7, learning classical piano. Her early musical career included performances in church groups as well as in top-flight jazz ensembles led by Lateef, guitarist Kenny Burrell and saxophonist Lucky Thompson.

After studying jazz piano briefly in Paris, she moved to New York and joined Gibbs' quartet.

"As fascinating — and influential — as her later music was, it tended to obscure the fact that she had started out as a solid, bebop-oriented pianist," critic Don Heckman told The Times on Saturday. "I remember hearing, and jamming with, her in the early '60s at photographer W. Eugene Smith's loft in Manhattan. At that time she played with a brisk, rhythmic style immediately reminiscent of Bud Powell.

"Like a few other people who'd heard her either at the loft or during her early '60s gigs with Terry Gibbs, I kept hoping she'd take at least one more foray into the bebop style she played so well," he said.

She met her future husband in 1963 while playing an engagement with Gibbs' group at Birdland in New York City.

"He saw something in her that was beautiful," Gibbs, who has often taken credit for introducing the two, told The Times on Saturday. "They were both very shy in a way. It was beautiful to see them fall in love."

Gibbs called her "the nicest person I ever worked with. She was a real lady."

She left Gibbs' band to marry Coltrane and began performing with his band in the mid-1960s, replacing pianist McCoy Tyner. She developed a style noted for its power and freedom and played tour dates with Coltrane's group in San Francisco, New York and Tokyo.

She would say her husband's musical impact was enormous.

"John showed me how to play fully," she told interviewer Pauline Rivelli and Robert Levin in comments published in "The Black Giants."

"In other words, he'd teach me not to stay in one spot and play in one chord pattern. 'Branch out, open up … play your instrument entirely.' … John not only taught me how to explore, but to play thoroughly and completely."

After his death, she devoted herself to raising their children. Musically, she continued to play within his creative vision, surrounding herself with such like-minded performers as saxophonists Pharoah Sanders and Joe Henderson.

Early albums under her name, including "A Monastic Trio," and "Ptah the El Daoud," were greeted with critical praise for her compositions and playing. "Ptah the El Daoud" featured her sweeping harp flourishes, a sound not commonly heard in jazz recordings. Her last recording, "Translinear Light," came in 2004. It was her first jazz album in 26 years.

Through the 1970s, she continued to explore Eastern religions, traveling to India to study with Swami Satchidananda, the founder of the Integral Yoga Institute.

Upon her return she started a store-front ashram in San Francisco but soon moved it to Woodland Hills in 1975. Located in the Santa Monica Mountains since the early 1980s, the ashram is a 48-acre compound where devotees concentrate on prayer and meditation.

Known within her religious community by her Sanskrit name, Turiyasangitananda, Coltrane focused for much of the last 25 years on composing and recording devotional music such as Hindu chants, hymns and melodies for meditation. She also wrote books, including "Monumental Ethernal," a kind of spiritual biography, and "Endless Wisdom," which she once told a Times reporter contained hundreds of scriptures divinely revealed to her.

In 2001 she helped found the John Coltrane Foundation to encourage jazz performances and award scholarships to young musicians.

In addition to Ravi, she is survived by another son, Oren, who plays guitar and alto sax; a daughter, Michelle, who is a singer; and five grandchildren. Her son John Coltrane Jr. died in an automobile accident in 1982.

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Re: R.I.P.

Postby RYG on Tue Nov 27, 2012 4:26 pm

Michael Dunford of "Renaissance" has passed. See here:
My favorite movies (right now):
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Re: R.I.P.

Postby Geno on Tue Nov 27, 2012 8:37 pm

RYG wrote:Michael Dunford of "Renaissance" has passed. See here:

And so sudden. What a shame.
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