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:: ProjeKction - King Crimson NET :: • View topic - CGT+2, Sellersville, PA 6.20.09

CGT+2, Sellersville, PA 6.20.09

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CGT+2, Sellersville, PA 6.20.09

Postby Riverman on Sun Jun 21, 2009 9:14 pm

Paul Richards's latest Twitter post:
So much fun playing with Eric and Julie Slick in PA last night. They are amazing! Driving to Northampton for the show tonight.


No surprise there. You all know (or should know) what a CGT performance is like by now, so there's no need to repeat the usual stuff. I'll just add that (as with anything they do), the addition of the Slick siblings takes it into another dimension ENTIRELY. We got to hear several new tunes last night, which was a treat in itself, but there was something special about hearing them this way. "Cathedral Peak" is the kind of tune that coasts on a bouncing rhythmic groove, so it's only natural that a rhythm section would make the perfect addition. "In the Middle of Nowhere in the Middle of Texas" was great at conveying that dusty-desert feeling, even before Eric added some brilliantly placed rattlesnake rattles. "Andromeda" - already my favorite of their new songs, and now in serious contention for my favorite ever - was truly otherworldly. And that goes just as much for "Echoes," which was made even more effective by a trippy animated backdrop of stars that wouldn't have been out of place at a real Pink Floyd laser show. Tyler made better use of the visual elements than I've ever seen before with shifting effects timed to complement the songs, plus well-chosen synaesthetic backgrounds: green & blue for the aquamarine stuff, yellow for the surf moments, deep red for "Larks' Tongues II," etc.

Yes, that's right, "Larks' II." When Robin (tease that she usually is) mentioned something about them playing a Crimson song the other day, I'd thought of something from the dual-guitar era - 3PP, "Discipline" or the like. But of course they couldn't do the obvious thing. I should have realized that such a rhythmic track would have been perfect for this lineup. Paul really raised those neck hairs with the eastern-tinged-violin solo, and Bert anchored it all with the most dirty heavy sludge tone I've ever heard from an acoustic guitar. Meanwhile there was nobody to do the Jamie Muir allsorts coloring, but Eric came damn close with all kinds of little cymbal skitters (all in the middle of a bass-drums rendition that would have done Wetton & Bruford proud). Bert said they'd love to have the Slicks play on the CD when it's recorded this summer, so let's hope it happens. It'll really be something special.
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